THE MILLE-FEUILLE EFFECT
Writing about the late Jon Jerde in a recent issue of Architect, Karrie Jacobs brought me up short with a wonderfully pithy phrase. She described a Jerde-designed project as “a mille-feuille of the simulated and the real, layer upon layer upon layer.” Exactly. I remember visiting the newly-built Horton Plaza in San Diego, an urban shopping mall that Jerde designed in 1985. My first reaction was revulsion—this was postmodernism on steroids, cliché piled upon cliché. But then the Mille-Feuille Effect kicked in. The stagey architecture was obviously fake, but the sun and fresh air were real (the public spaces were not roofed).




