This year’s Best American Magazine Writing, published by Columbia University Press, includes three of my essays that were finalists for the 2014 National Magazine Awards. This might be a good place to express my appreciation to Architect, which published them, and to my supportive editor Eric Wills. My subjects were untypical for an architecture magazine: these three essays were not about the next new thing, which is what most architectural writing these days is concerned with. I wrote about two buildings in Seattle built ten years ago, about a planned community in England that is now two decades old, and about a public housing project in Boston that was built twenty-five years ago. This reflects my conviction that the time to judge a project is not when it is brand new but when it has been used for a decade or two—which in the life of a building makes it barely a teenager. I don’t mean only judging how it has performed functionally, but also how it has aged aesthetically. Ideas that seem wonderful when first unveiled, often sour after an interval of time—think Brutalism, megastructures, postmodernism, deconstructivism. Architecture is not about fashion or, at least, it shouldn’t be. Unlike clothes and consumer products, buildings last for centuries and they should be assessed only in the fullness of time.