Modern life

Nicknames

Jean Beliveau-1

I was in Montreal recently and read in the local paper about the first Canadiens hockey game of the season, which was opened by Jean Beliveau (now 82). In his playing days, Beliveau was known as “Le Gros Bill,” after a popular 1949 French Canadian movie of the same name. Many top hockey players had nicknames: Maurice “Rocket” Richard, Bernard “Boom Boom” Geoffrion, Emile “Butch” Bouchard. The great Jacques Plante was “Jake the Snake.” Nicknames used to be popular. Actors had them, especially the old Western stars—George “Gabby” Hayes, Allan “Rocky” Lane, Alfred “Lash” LaRue, Edmund “Hoot” Gibson,

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Schooldays

Antique.Ebay_-306x333

An article in today’s New York Times on classroom chairs reminded me of my schooldays. As far as I remember, we had wooden desks with a built in bench seats, attached to the floor. The desk-top, usually carved with a chronicle of interesting graffiti, was sometimes hinged with a storage space beneath that we never used. We didn’t used the hole in the top, which was made to hold an ink-well, either. The desks were sturdy and not particularly comfortable—they weren’t intended to be. The Times piece is full of fluff about how different classroom chairs might improve learning,

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Boiling Water

Yanagi Tea Kettle 2

Every morning I boil water for making tea or coffee (I alternate). What starts my day is the most perfect kettle I have ever used. It is the work of Sori Yanagi (1915-2011), a Japanese product designer probably best remembered for his molded plywood Butterfly Stool. Yanagi studied architecture, but the kettle is decidedly not architectural—no purist Platonic forms, no postmodern irony, no gimmicky whistles. It is just a kettle: handle, spout, lid. Yet this perfectly balanced and shaped everyday object provides a feeling of well-being every time I use it—or even glance at it.

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The DD Virus

Last week, after lunch at a bistro on Rittenhouse Square, I dropped in at the Comcast Center to look at the huge video screen—a digital mural—in the lobby. I had written about the screen two years ago, finding it captivating, and since the content regularly changes, I thought it would be fun to see it again. I watched for a while and found my attention wandering. The material seemed less creative, less witty and sophisticated, more predictable. Apart from an interminable clip of close-ups of baseball players in action, the segments seemed shorter, too. Then it dawned on me.

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Speaking Ill

One should not speak ill of the dead, it is said. Yet in a week fill with encomiums for Dave Brubeck (1920-2012) and Oscar Niemeyer (1907-2012) it is hard to hold back. When I started listening to jazz, in the late 1950s, the Dave Brubeck Quartet was already famous—or at least as famous as jazz musicians got at that time. I loved Paul Desmond, and Joe Morello could do no wrong (I was a drummer), but I never warmed to Brubeck himself. Me and my friends much preferred Ahmad Jamal, Monk, and Bill Evans.

Nor was I ever an admirer of Oscar Niemeyer.

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Simply Ike

The final review of Frank Gehry’s design for the Eisenhower Memorial in Washington, D.C., has been postponed yet again and the project seems more and more likely to be shelved. In a recent letter to Sen. Daniel Inouye, John S. D. Eisenhower, the President’s son, raises an issue that has nothing to do with the quality of Gehry’s design (which I have supported), nor with the over-wrought classical-modernist debate. Why couldn’t the memorial simply be “a green open space with a statue in the middle” he asks? Good question. Ever since the FDR Memorial spread over more than seven acres,

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Ask the People

Speaking recently at a British conference on urbanism, Daniel Libeskind called for a greater degree of public participation in the design process. “The people have to be empowered to be involved in shaping the program, not just the program but also the actual space,” he said. Let the voice of the people be heard! I was reminded of this tired nostrum as I was watching Seven Days in May. In a taped commentary, director John Frankenheimer several times emphasized that this excellent movie, shot in 1963, could not be made today (he died in 2004).

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The Master Builders

I attended a meeting of the Design Futures Council ambitiously billed as a “Leadership Summit on Sustainability.” Present were engineers and representatives of the building materials industry (whose parent organizations were the chief sponsors of the event), but most of the participants were architects. The last group voiced a recurring theme. “It is important to think not only about buildings but about neighborhoods, and not only neighborhoods but cities, or preferably regions. Better still, the entire planet.” During the meeting, one architect voiced the opinion that architects could design anything. Oh, really? Architects are trained to design buildings.

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