Witold

AMERICA THE BEAUTIFUL

I recently received my new passport. The pages for stamps and visas are decorated with images, as they have been in the past, but this is the first time I looked at them closely: a windjammer and a lighthouse; a steam engine pulling a train in a Western landscape; a farmer plowing a field with a team of oxen. Not one of the images is contemporary, with the exception of a communications satellite on the inside back cover. The pictures generally invoke a (rosy) pre-industrial past. And except for Independence Hall, there is not a hint of urbanity. America is apparently a land of open spaces,

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IN MEMORIAM

On January 8, 1958, a fire broke out on the Norwegian ship Earling Jarl while the vessel was docked in Bodø, a small coastal town north of the Arctic Circle. The ship was part of the Hurtigrutten (Express Route), which serves small isolated communities up and down the coast carrying mail, goods, and people. The route is between Kirkenes in the north and Bergen, about five days sailing. The Earling Jarl fire took the lives of fourteen people. A small bronze memorial stands in the town to commemorate the event—and the victims. The artist is Istvan Lisztes,

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THE FIRST MODERNISTS

This 1931 photograph of a group of party-goers at the Beaux-Arts Ball in New York is famous. That’s William Van Alen in the center (the Chrysler Building), flanked by Ely Jacques Kahn (the Squibb Building) on the left, and Ralph Walker (the Irving Trust Building) on the right. Three great skyscraper architects. William F. Lamb (the Empire State Building) was also there but didn’t make it into the picture. These men are all part of a generation of American architects that has been written out of the history books. That’s a shame. We all know their buildings—the Empire State, the Chrysler,

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BLACK IS THE NEW BLACK

When I went to school in England in the fifties we were obliged to wear blue blazers with the school crest. I came across this photo of a class of the Interior Design Department of Northumbria University taken in the Bauhaus building in Dessau. Apparently strict dress codes still apply, and are followed by instructors as well as students, and are even extended to hijabs. Gropius would be pleased.

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THE KING JAMES VERSION

While James Holzhauer was making his impressive run on Jeopardy I read several articles that suggested that his aggressive and risky mode of play had changed the game forever. Well, he certainly changed it for me–after more than a decade or more I’ve stopped watching. Mainly because Holzhauer didn’t change the game forever. After he lost, almost immediately things went back to the way they were: contestants timidly started with the $200 category and went on, square by square, and when they hit Double Jeopardy, the bets were pitifully small. The thrill of watching Holzhauer go all in was gone.

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CATFIDDLE STREET

Here is a recent photograph of Catfiddle Street an infill development in Charleston, which is slowly coming together. The house in the foreground is being built by Vince Graham and was designed by George Holt and Andrew Gould. The veranda has wrought-ironwork, a signature of colonial Charleston. The walls are  painted a deep Pompeiian red. The arched opening on the extreme right leads to Reid Burgess and Sally Eisenberg’s courtyard house. The next house was designed by Julie O’Connor. The turquoise house and its neighbor on the left are the work of Bevan & Liberatos.

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CHARLESTON, CHARLESTON

My friend Vince Graham holds a copy of my new book in front of his Charleston home. The house features in Charleston Fancy: Little Houses and Big Dreams in the Holy City, published by Yale University Press. The book combines three themes, architecture, cities, and real estate development. May 28 is the official publication date but the book is available now. You can read an early review in The New Criterion, and in the May 25 issue of the Wall Street Journal.

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