RADICAL CHIC

RADICAL CHIC

The architecture group, Superstudio, was founded in Florence in 1966, the year I graduated from architecture school. I remember their projects from the Italian design mag Domus, which I used to leaf through in the library. I didn’t like them then and I don’t like them...
MINOR FIGURES

MINOR FIGURES

Philip Kennicott writes yesterday in the Washington Post about the United States Commission of Fine Arts, whose seven members are currently all Trump appointees, four appointed at the last minute on January 12, 2021. Kennicott is scathing in his evaluation: “The...
FECKLESS FORUM

FECKLESS FORUM

The New York Times reports on the opening of the Humboldt Forum, a new Museum in Berlin. When I showed the photograph (left) to my wife her reaction was “It looks like a prison.” She wasn’t referring to the Baroque facade, of course. I haven’t seen the museum, but the...
TRUMPITECTURE

TRUMPITECTURE

Alex Beam’s article in yesterday’s Boston Globe has a provocative title (for a liberal paper): “Trump may be right about one thing, architecture.” The author seconds Trump’s critique of Brutalism and quotes me that too often we get “courthouses that look like...
PARISIAN PUZZLE

PARISIAN PUZZLE

Every time I leave the Larkin Building in downtown Philadelphia, where we live, I admire the office building across the street. It’s a French Renaissance pile, three stories on top of a half basement, with an obviously more recent top floor addition. The original...
ROUGHLY CLASSIC

ROUGHLY CLASSIC

Earlier this week I watched a live video webcast of a roundtable concerning the debate over the future of federal architecture, that is, on whether federal buildings such as courthouses should have a mandated classical style. There was immediate confusion because two...